Jessie Redmon Fauset’s Plum Bun (1928) is a moving, delicately observed coming-of-age novel––one that brilliantly exemplifies the cultural, social, and creative ferment of the Harlem Renaissance. Its heroine, the young, talented, light-skinned Angela Murray, hopes for more from life than her black Philadelphia neighborhood and her middle-class upbringing seem to offer. Seeking romantic and creative fulfillment, and refusing to accept racist and sexist obstacles to her ambition, she makes a radical choice: to pass as white, and study art in New York City.

Against the vivid, cosmopolitan backdrop of Harlem and Greenwich Village in the Roaring Twenties, her subsequent journey through seduction, betrayal, protest, and solidarity is ultimately a journey toward self-understanding. Along the way, Fauset includes fictionalized portraits of leading Harlem Renaissance figures such as W.E.B. Du Bois (for whom she edited The Crisis) and the sculptor Augusta Savage, recently denied a chance to study in Paris because of her skin color. Revising conventional narratives of the “tragic mulatta” and skillfully blending realism and romance, her novel raises questions about art, race, gender, inspiration, and authenticity that will continue to resonate for readers today.

Jessie Redmon Fauset (1882—1961) was a novelist, critic, and poet who played an instrumental role in the Harlem Renaissance as the literary editor of The Crisis magazine, where she published the works of such writers as Langston Hughes, Countee Cullen, Claude McKay, and Jean Toomer. She was the author of several novels including There Is Confusion (1924), Plum Bun (1928), The Chinaberry Tree (1931), and Comedy: American Style (1933).

Plum Bun is also included in the Library of America collection Harlem Renaissance Novels: Five Novels of the 1920s .