Nick Norwood: What Carson McCullers knew about cotton mills and misery
Sarah Manguso: Thoreau, Annie Dillard, William Maxwell, and “lessons of constraint” on 300 Arguments
Shanthi Sekaran on time and received magic: Beloved’s gifts to Lucky Boy
Vanessa Hua: Kindred spirits in the heroines of Little Women and the Little House books
Leopoldine Core: Nella Larsen’s radical Passing and other influences on When Watched
Shawn Vestal: The genius of Henry James’s “exquisitely repressed” The Ambassadors
Putting the alternate in alternate history: Whitman, Poe, and “The Mystery of Marie Rogêt”
Dismiss Kurt Vonnegut’s “modest, winking profundity” at your own peril, says Ron Currie, Jr.
Sandra Simonds: Plath, Ginsberg, and an “urgently necessary” personal canon
Musharraf Ali Farooqi: Isaac Bashevis Singer’s world is my own
Luc Sante takes a “headlong plunge” into the lives of nineteenth-century American poets
Playwright-turned-novelist Kirk Lynn on Joe Brainard, James Thurber, and other influences on Rules for Werewolves
Sara Jaffe: From James Baldwin to Lynne Tillman—four influences on Dryland
Alexandra Kleeman: Philip K. Dick’s “gnostic logic” and other influences on You Too Can Have a Body Like Mine
Amitava Kumar: Philip Roth teaches me to be a bit more honest
Annie Liontas: Influences, identity, and what defines the “self-respecting immigrant novel”
A champion of America’s great writers and timeless works, Library of America guides readers in finding and exploring the exceptional writing that reflects the nation’s history and culture.
From poetry, novels, and memoirs to journalism, crime writing, and science fiction, the more than 300 volumes published by Library of America are widely recognized as America’s literary canon.
With contributions from donors, Library of America preserves and celebrates a vital part of our cultural heritage for generations to come.