Buy all six Lynd Ward novels in a boxed set and save $20

In this, the second of two volumes collecting all his woodcut novels, The Library of America brings together Ward’s three later books, two of them brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate.

The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.

Lynd Ward was born in 1905 in Chicago, Illinois. He is the author of six novels in woodcuts and three picture books for children, and the illustrator of some two hundred other books. Storyteller Without Words, an autobiographical monograph on his work in wood engraving, was published in 1974. He died in 1985.

Art Spiegelman, volume editor, is the author of the Pulitzer Prize–winning graphic memoir Maus: A Survivor’s Tale. His most recent book of comics is Breakdowns: Portrait of the Artist as a Young %@&*!

This Library of America series edition is printed on an acid-free paper stock with a light coating for optimal illustration reproduction and bound in brick-red cloth stamped to match other titles in the LOA series. In addition, each Smyth-sewn volume includes a ribbon and a uniquely designed jacket featuring artwork by Lynd Ward.

Project support for this volume was provided in honor of Marjorie J. Berkley.

This volume is available for adoption in the Guardian of American Letters Fund.