Back Year in Review: a look back at our best online content of 2024

Year in Review: 2024

Any way you look at it, 2024 has been one for the books. At Library of America, we see our nation’s great literature as a way to illuminate the present, place it in context, and—perhaps most importantly—escape it, if only for a moment, to inhabit other eras, lives, and ways of experiencing the world.

This year, we’ve been proud to publish a fascinating assortment of interviews, articles, and videos on American writing and history right here on our website. Celebrated novelist Percival Everett discussed his National Book Award–winning novel James, based on The Adventures of Huckleberry Finn. A who’s who of fans, friends, and collaborators toasted Wendell Berry’s ninetieth birthday. The LOA staff tried their best to memorize poems by Robert Frost. And over on latinopoetry.org, a rich archive of taped readings and commentaries from some of the nation’s leading poets accompanied the launch of the groundbreaking Latino Poetry: The Library of America Anthology.

Below we’ve bookmarked more than forty pieces for your perusing pleasure, organized by category.

Happy reading this holiday season, and we’ll see you in 2025!


Click the links below to jump to a specific category:
Essays | Influences | Interviews | Latino Poetry | News | Videos


Essays
“Their Own Tiny Circle of War”: Masters of the Air, in Their Own Words

“One More Beach to Cross”: Reliving D-Day through the Eyes of Those Who Were There

“There were barrage balloons, always looking like comic toy elephants, bouncing in the high wind above the massed ships, and you could hear the invisible planes flying behind the gray ceiling of cloud.”—Martha Gellhorn, Reporting World War II

Masterpieces in Miniature: A (Short) History of American Haiku

“It Is Men Who Have Got to Make the Law Free”: The Long March to Juneteenth

“Your Friend, Wendell”: A 90th Birthday Tribute to Wendell Berry

“Wendell has a philosopher’s way of distilling truths long before the rest of the world has arrived at them—and I have no doubt that ninety years from now the world will be marveling at the power, beauty, and prescience of Wendell Berry’s ideas.”—Alice Waters

Truman Capote at 100: A Chameleon Poet

Before and After: Bringing the Bullfighting Photos of Ernest Hemingway’s Death in the Afternoon Back to Life

“I have not described certain things in detail because photography has been brought to the point where it can represent some things better than a man can write of them.”—Ernest Hemingway, letter to Maxwell Perkins

The Broken Clock in Salvadoran Poetry: an Essay by Alexandra Lytton Regalado

“What do I mean by authoritative text?”: Library of America Editor Stefanie Peters on the Making of a Definitive Edition


Influences
“A Reverence for Their Mystery”: Essayist Jed Munson on Rereading Maxine Hong Kingston and Aldo Leopold

“Upside-Down and Sideways”: Research and Revelation in Novelist Rachel Lyon’s Reading List

“The Ones That Nobody Assigned”: Bear Author Julia Phillips on Building a Personal Canon

“I read these books in the hope that they would shape my own writing into great work that would stand alongside them. Meanwhile, though, I was sneaking different stories in and out of my own bags.”—Julia Philips, author of Bear (2024)

A Voice for the Speechless Princess: Sarah Ruden on Lavinia, Vergil’s Aeneid, and the Wisdom of Ursula K. Le Guin

“Funny, Scary, and Delightfully Weird”: Lena Valencia on the Many Faces of Literary Terror


Interviews
“Someone Shone a Light Suddenly into the Darkness”: James G. Basker on Uncovering the Vital Voices of Black Americans During the Founding Era

“Of the seventy-one signatures on that petition, only twenty of the signers were literate and could write their whole names. The other fifty-one could only put an X, but their names were written beside the X by a clerk of some sort. They wanted their names recorded on that petition at a time when it could really be dangerous to demand these rights from Congress. It’s a tremendous act of courage.”—James G. Basker

“Monstrosities Do Not Come Out of Nowhere”: Lyndsey Stonebridge on the Timely Political Lessons of Hannah Arendt

“That Difficult Work of Digging”: Jessica Hooten Wilson on Flannery O’Connor’s Final, Unfinished Novel

“The Most Demanding Form”: Theresa M. Towner on William Faulkner’s Radiant Short Fiction

“Faulkner was a deliberate craftsman of perspective and point of view, and he was interested too in how and why people tell stories of all kinds and for all kinds of reasons—to gain, to exploit, to defend, to entertain, to protect, to attack.”—Theresa M. Towner

“Southern Weird”: Biographer Mary V. Dearborn on the Transgressive Life and Fiction of Carson McCullers

“Calling It an ‘Adventure’ Would Be Redundant”: Novelist Percival Everett on His Explosive Reimagining of Huckleberry Finn

“At the base of everything I write is an interest in the construction of language and how language actually works: how it is that these marks and sounds that we make convey meaning to someone else.”—Percival Everett

Commitment, Capacity, Compassion: Kim E. Nielsen on American Icon Helen Keller

“Away from the Crowd”: Dan Barry on the Iconoclastic Genius of Jimmy Breslin

“You Want to Possess the Words”: Jay Parini on Why We Can’t Stop Reading Robert Frost

Eyeball and Over-Soul: Biographer James Marcus on the Infinitude of Ralph Waldo Emerson

“Outrageous Errors and Goofs”: David Mikics on the Loony Legacy of MAD

“Jim Crow Was a Cash Grab”: Tyina L. Steptoe on the Harrowing History of the American Color Line

“This is a moment when there weren’t a lot of Black heroes that many people knew about and could point to. Just looking through mainstream newspapers of the time, even the comic strips managed to have degrading images of Black life and Black people. To have these men who fought in the war, who come back looking bold—that’s a huge moment for people feeling pride in Blackness.”—Tyina L. Steptoe


Latino Poetry

Poets Darrel Alejandro Holnes (photo: Beowulf Sheehan), Aracelis Girmay (Stanford University), Laurie Ann Guerrero (Paola Valenzuela), Richard Blanco (Matt Stagliano), and Ada Limón (Lucas Marquardt)

Poets featured in Latino Poetry: The Library of America Anthology: Darrel Alejandro Holnes (photo: Beowulf Sheehan), Aracelis Girmay (Stanford University), Laurie Ann Guerrero (Paola Valenzuela), Richard Blanco (Matt Stagliano), and Ada Limón (Lucas Marquardt)

A Tremendous Continental Mixturao: Celebrating Latino Poetry

Latino Poetry: Places We Call Home project website

75 Organizations Receive Grants Under LOA’s Latino Poetry Initiative

Interactive gallery of poems and poets

Essays

Videos

Events

Downloadable Latino Poetry Reader


News
Ten Emerging Writers Take Home LOA Books (and $50,000) at 2024 Whiting Awards

Wendell Berry’s Writings Donated to Libraries Throughout Kentucky

Forthcoming: Spring 2025

Forthcoming: Fall 2024


Videos
Why Don DeLillo Deserves the Nobel

Black Writers of the Founding Era, with James G. Basker and Annette Gordon-Reed

Deadline Artist: The Genius of Jimmy Breslin, with Dan Barry, Mike Barnicle, and Mike Lupica

Robert Frost: Our Poet for All Seasons, with Jay Parini and Tracy K. Smith

How to Memorize a Robert Frost Poem (and Why It Matters)

Faith, Fiction, and Walker Percy’s The Moviegoer, with Paul Elie and Ayana Mathis

Honor Moore and Clara Bingham on the Revolutionary Writings of Women’s Liberation

Burning Down the House: Reading Faulkner’s Short Stories Now

1925: The Scopes Trial, the Culture War, and Four American Masterpieces, with Brenda Wineapple

“A Place None of Us Know”: Writing, Loss, and Joan Didion’s Late Memoirs


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