It’s a New World, Golde: Classic American Musicals in the 21st Century

The Fate of the Earth: Jonathan Schell and His Legacy

Who Tells Your Story: Joanne B. Freeman on Hamilton and History

Reading James Baldwin Now: Darryl Pinckney on No Name in the Street

Reading James Baldwin Now: Farah Jasmine Griffin on “Sonny’s Blues”

Harold Bloom and the American Canon from Emerson to Toni Morrison

What Is American Conservatism?

YouTube reviewer extols the virtues of our Melville poetry volume: “This exists!”

#GlobalGwen initiative celebrates Gwendolyn Brooks and a literary milestone

“How to be a man who’s not a jerk”: Cartoonist Chris Ware on Charles M. Schulz, Mr. Rogers, and Beethoven

Silliness, small stakes, and a compelling other world: Jonathan Franzen pays homage to Peanuts

Watch: “You’re weird, sir” — or, Peanuts and the politics of personal identity

Kate Bolick: “Feminism is common sense,” and other truths from Little Women

Watch: Why Cornelius Ryan’s The Longest Day isn’t “victors’ history”

Adam Gopnik: The secret behind John Updike’s productivity

Gabrielle Bellot: James Baldwin as “a prophet of love” in If Beale Street Could Talk