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Albert Murray: The Omni-Americans: Some Alternatives to the Folklore of White Supremacy (paperback & LOA eBook Classic)

FIFTIETH ANNIVERSARY EDITION
With a foreword by Henry Louis Gates, Jr.

Overview
Table of Contents

Overview

Story of the Week Albert Murray, “Tall Tale Blue Over Mobile Bay in Harlem”
December 17, 2021

Audio | News “American-original genius” Albert Murray honored with fiftieth anniversary edition of The Omni-Americans
February 5, 2020

“The United States is in actuality not a nation of black people and white people. It is a nation of multicolored people. . . . Any fool can see that the white people are not really white, and that black people are not black. They are all interrelated one way or another.”

These words, written by Albert Murray at the height of the Black Power movement, cut against the grain of their moment, and announced the arrival of a major new force in American letters. In his 1970 classic The Omni-Americans, Murray took aim at protest writers and social scientists who accentuated the “pathology” of race in American life. Against narratives of marginalization and victimhood, Murray argued that black art and culture, particularly jazz and blues, stand at the very headwaters of the American mainstream, and that much of what is best in American art embodies the “blues-hero tradition”—a heritage of grace, wit, and inspired improvisation in the face of adversity. Reviewing The Omni-Americans in 1970, Walker Percy called it “the most important book on black-white relationships . . . indeed on American culture . . . published in this generation.” As Henry Louis Gates, Jr. makes clear in his introduction, Murray’s singular poetic voice, impassioned argumentation, and pluralistic vision have only become more urgently needed today.

Albert Lee Murray (1916–2013) was born in Alabama and graduated from Tuskegee Institute, later earning in literature an M.A. from New York University in 1948. His books include South to a Very Old Place, The Hero and the Blues, Train Whistle Guitar, The Spyglass Tree, The Seven League Boots, The Magic Keys, and Stomping the Blues, among others. With Wynton Marsalis and others he was a co-founder of Jazz at Lincoln Center. In 1997 he was inducted into the American Academy of Arts and Letters. He was the recipient of the Lifetime Achievement Award from the National Book Critics Circle. Murray’s collected works are published in two clothbound volumes by Library of America.

Henry Louis Gates, Jr., is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African American Research at Harvard University. An award-winning filmmaker, literary scholar, journalist, cultural critic, and institution builder, Professor Gates has authored or coauthored twenty-four books and created twenty documentary films. For the Library of America series, he has edited volumes collecting the writings of Frederick Douglass and, with Paul Devlin, Albert Murray.
Table of Contents

Foreword by Henry Louis Gates, Jr.

Introduction

Part I | THE OMNI-AMERICANS
The Omni-Americans
A Natural History: E Pluribus Unum
White Norms for Black Deviation
Paleface Fables, Brownskin People
The Blues Idiom and the Mainstream

Part II | THE ILLUSIVE BLACK IMAGE
Introduction
Image and Unlikeness in Harlem
Oneupmanship in Colorful America
The Illusive Black Middle Class
Two Case Histories
Claude Brown’s Soul for White Folks
Gordon Parks Out of Focus
Who That Say, What Dat, Every Time Us Do That?
A Clutch of Social Science Fiction Fiction
Star-Crossed Melodrama
Warren Miller and His Black Face Vaudeville
William Styron and His Troublesome Property
James Baldwin, Protest Fiction, and the Blues Tradition

Part III | GETTING IT TOGETHER
Identity, Diversity, and the Mainstream
A Short History of Black Self-Consciousness
The Role of the Pre-American Past
Black Pride in Mobile, Alabama
Black Studies and the Aims of Education

Epilogue | SITUATION NORMAL: ALL FOULED UP

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ISBN: 978-1-59853-652-2 282 pages

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